摘要
《红楼梦》中香菱与黛玉论诗,谈到了读诗时初有“无理”之感,但经过仔细品味之后,又觉“有情有理”,这种由“无理”到“有理”的感受过程正是俄国形式主义理论的核心——陌生化诗学所倡导的审美特征。“无理”是相对的,是人们在直觉的或直观的阶段感觉到事物的形象不合传统,不合规矩,也就是“无理”。当人们欣赏思考时,却又发现自己熟悉的事物有另一种形式,并且揭示了事物特征的另一方面,进而便生成了“有理”之感。这种从“无理”到“有理”的获得美感经验的过程是无穷尽的。
In the Dream of the Red Mansion,when Xianglin and Daiyu are talking about poems,they mention that a poem always makes people feel it unreasonable at first,but after it is appreciated carefully,people will understand it and think it reasonable.The course,from 'feeling unreasonable' to 'feeling reasonable' is just the essence of the aesthetic feature of the Defamiliarization theory advocated by Russian formalists.
出处
《山西农业大学学报（社会科学版）》
2007年第6期222-224,共3页
Journal of Shanxi Agricultural University:Social Science Edition
关键词
陌生化诗学
无理
有理
审美体验
Defamiliarization
Reasonable
Unreasonable
Aesthetic experience
