摘要
鲍姆加登提出了美学是“感性学”的学科,但真正赋予其学科品格的应是在康德的“审美判断力”这里。康德将美学与需借助概念的逻辑理性认识严格地区分开来,然而,“审美判断力”在面对艺术问题时,也不得不纳入理性的内容。但这正是“美学”的需要,也正是它对后世美学产生了深远的影响。
Baumgarten thinks that aesthetics is a sensory subject. However, it is Kant who gives the characteristics of the subject through his aesthetic judgment. Kant strictly differentiates aesthetics from the logic rational cognition based on the conception. When facing the artistic problems, the aesthetic judgment has to absorb the contents of reason, which is needed by aesthetics and also has great influence on the aesthetics of later ages.
出处
《六盘水师范高等专科学校学报》
2006年第2期69-71,共3页
Journal of Liupanshui Teachers College
关键词
审美判断力
美学
感性
理性
aesthetic judgment, aesthetics, sensibility, reason
