摘要
本文以北宋风俗画《清明上河图》作为世俗化艺术作品的代表,通过对其画面细节的分析,摒弃陈旧的思想意识,打破“雅”等于美,“俗”等于丑的传统观念,树立“雅”、“俗”并举,两者辩证统一的观念,重新审视世俗化艺术形式,发掘其积极意义。
This paper attempts to set the custom painting ″ A picture of Bian River at Qingming Lane″ in North Song Dynasty as the master piece of secularized art works, as to urge the readers to spur their obsolete idealistic consciousness through the analysis of the details in the picture. It is also aimed at breaking the traditional formula that ″elegance″ is ″beauty″ and ″plain″ is ″ ugly″, While building up the conception of developing ″elegance″ and ″plain″ simultaneously and keeping their dialectical unity, in order to re-survey the secularized art form and dig up its active social significance.
出处
《三门峡职业技术学院学报》
2006年第2期91-92,共2页
Journal of Sanmenxia Polytechnic
关键词
雅
世俗化
艺术形式
《清明上河图》
Elegance
Secularized
Art form
A Picture of Bian River at Qingming Lane
