摘要
香港女性主义小说是围绕着符号权力展开的文学场,场中精英女性主义作家行动者和通俗女性主义作家行动者处于永无休止的符号斗争状态。影视改编是这一场域中处于边缘地位的通俗女性主义作家通过兑换经济资本、增加文化资本的方式而与占统治地位的精英女性主义作家争夺符号权力的一种策略。这一策略的运用体现了通俗女性主义作家与精英女性主义作家之间的权力关系:精英女性主义作家对通俗女性主义作家的支配、通俗女性主义作家对精英女性主义作家的反抗。权力关系的性质表现为建设性,对这一关系的挖掘不仅为香港女性主义小说的影视改编提供了新的阐释可能,也具有重大的现实意义。
Hong Kong’s feminist literature is a contested field for the power of signs, where the battle of the signs between the elite feminist writers/activists and pop feminist wrtiers/activists is endlessly fought. The strategy to win the battle on the side of the marginalized pop feminist writers/activists is to increase their capital through film market so as to expand their cultural capital. The proper strategy reflects the power relation between the elite feminist writers/activists and pop feminist writers/activists. The essence of the relation is control by the elite, and protest by the popular. The nature of power relation is to be constructive. To apply this relation in the interpretation of the films adapted from Hong Kong’s feminist writing is possible and feasible.
出处
《华文文学》
2008年第5期12-18,共7页
Literatures in Chinese
关键词
香港女性主义小说
符号权力
文学场
文化资本
经济资本
Hong Kong’s feminist writing, power of sign, field of literature, cultural capital, economic capital
