摘要
尤利·米哈依洛维奇·洛特曼是 2 0世纪前苏联著名文艺理论家、塔尔图符号学派的领袖人物。本论文在介绍洛特曼所进行的《叶甫盖尼·奥涅金》研究的基础上 ,指出洛特曼的研究并不试图归纳和总结普希金创作这本诗体小说的主旋律 ,而是揭示了存在于《叶甫盖尼·奥涅金》本文中的种种相互对立的因素 ,并概括出了普希金创作这部伟大作品的一个基本法则——“矛盾原则”。本文认为 ,用整体性、系统化的研究方法来阐释艺术本文问题 ,是洛特曼文艺研究的一个重要特征。通过对普希金创作中矛盾原则的分析 ,洛特曼不仅为自己的理论从实践上进行了一次成功的诠释 ,而且探寻出了一种能够把形式主义批评与社会历史批评结合起来的途径 。
Yury Mikhailovich Lotman is a famous literary theorist of the former Soviet Union and the leader of Tartu Semiotic School of the 20th century. This paper aims to make a study of his method of analyzing the artistic characteristics of the poetic novel Eugene Onegin by Pushkin. The paper points out that Lotman did not attempt to summarize the dominating theme of this work, but, while revealing various contradictory factors in Eugene Onegin , he elaborated the basic principle by which Pushkin created this great work--the 'principle of contradictions.' The paper stresses that the core of Lotman's theory is a holistic and systematic method adopted to explain artistic texts. By analyzing the 'principle of contradictions' in Pushkin's novel, Lotman discovered ways to combine the formalistic criticism with the social and historical criticism.
出处
《外国文学研究》
北大核心
2002年第4期35-40,共6页
Foreign Literature Studies
