摘要
元代燕南芝庵所著的《唱论》是一部中国现存最早的关于声乐演唱理论的著作,它总结了前人歌唱艺术的实践经验,为研究中国宋元声乐艺术提供了重要的历史资料。《唱论》所论述的歌唱内容较为丰富,涉及古代歌唱名家、乐曲名目、品种、内容、宫调色彩、流传地区,乐曲的地方特色,歌唱的咬字、气息、格调、节奏、音色等技巧方法、艺术表现、审美要求等等,还特别指出了歌唱中易出现的各种问题并作了广泛的例举。
Changlun, by Yannan Ahian in the Yuan Dynasty, is one of the earliest works discussing about the theories of singingin china. Summarized the experiences of ancient artists in singing field, it provides vital historical information for the study ofvocal music arts in Song and Yuan Dynasties. The discussion in the works Changlun covers profoundly many aspects, such as:the famous ancient singers,names and titles of songs, varieties of songs, contents, color of the modes in ancient Chinese music,popular areas, local characteristics of songs, skills of articulation, breath, style, rhythm and timbre in singing, presentation ofarts, requirements of appreciation, and a number of illustrations on the common problems in singing.
出处
《艺术探索》
2004年第6期69-71,共3页
Arts Exploration
