摘要
“言”、“意”关系是中国古代文学理论和美学不断探讨的重要问题。“言不尽意”作为哲学命题起源于老庄哲学思想,借助于魏晋玄学的“言意之辨”,被直接引到文学理论中,开始得到深入地阐述,延伸为中国古代文论中“言外之意”的言意理论。借助于“兴”对“言外之意”表现的拓展而最终成为意境理论的美学特征。
The relation between speech and idees is an important problem to be discussed in Chinese ancient literay theory and esthetics That 'Speech hasn't fully expressed one'ideas' as a thesis of philosophy originated from Laozhuang's phclosophical thought,was directly introduced into the literary theory with the aid of 'distinguishing of speech and ideas' of metaphysics in the Wei and Jin Periods,began to be deeply described and extended to the 'implication' of the theory of speech and ideas in Chinese ancient literary theory.With the aid of Xing(metaphor),implication has finally become the esthetical feature of the theory of imagery.
出处
《西华师范大学学报（哲学社会科学版）》
2006年第5期37-42,共6页
Journal of China West Normal University:Philosophy & Social Sciences
关键词
言不尽意
言外之意
兴
意境
Speech hasn't fully expressed one's ideas
implication
Xing(metaphor)
imagery
