摘要
"逆入平出"是晚清以降词学批评领域出现的概念,是对篆隶书法用笔之"古法"的总结,为包世臣等碑学书家为变革书法用笔而提出,带有浓厚的碑学色彩,旨在变帖学之流美娟妍而为碑学"重、拙、大"的美学风貌。清代碑学兴盛缘于朴学及金石学之胜,文人浸淫金石碑版本出于学术目的,却不自觉地参与到书学史的建构中。晚近词人、词学家的多重艺术身份使得词学与书学、画学、印学产生内在的连接,谭献、陈洵及杨铁夫等词学家受到碑学影响将这一概念引入词学批评中,其内涵涉及词的章法及叙事批评层面,对于晚近词学的技法批评有着重要的建构意义。援书论词是词学批评话语生成的重要机制。
"Reverse in and smooth out"is the concept that appeared in the late Qing Dynasty with the criticism of Ci Poetry.It was originally proposed by Bao Shichen and other Stele theory’s scholars for the change of calligraphy.It is the summary of"ancient ways"used in the calligraphy of Zhuan&Li.Meanwhile,with a strong color of Stele Theory,it aims to change the"fluent,beautiful and delicate"Model Calligraphy into the"heavy,awkward,big"of the Stele Theory.The prosperity of the Stele Theory of the Qing Dynasty benefited from the success of Real Learning and Epigraphy.Scholars originally was for academic purposes to be immersed in Epigraphy and Stele,but unconsciously participated in the construction of the history of calligraphy.The multiple artistic identities of Ci poet and Poetic scholars of Ci during aperiod of time made the Ci poetry have an intrinsic connection with calligraphy,painting,and printing.Tan Xian,Chen Xun,and Yang Tiefu,influenced by the Stele Theory,introduced this concept into the Ci criticism.Meanwhile,its connotation involved the constitution and narrative criticism of Ci,which had an important constructing significance for the criticism of Ci poetry,as well as a vital mechanism for the Generation of Critical Discourse in Ci poetry.
出处
《古代文学理论研究》
2019年第2期416-438,共23页
Studies of Ancient Chinese Literary Theory
基金
2019年国家社科基金项目“援书论词批评理论研究”(项目编号:19CZW002)阶段性成果.
关键词
“逆入平出”
词学
碑学
话语生成
"Reverse in and smooth out"
Ci Poetry
Stele Theory
Critical Discourse
