摘要
张岱的暮夜书写鲜明地表现着晚明之世时人时文的日常化、大众化特征。在由以雅化俗、高士体验、幽赏审美所构成的暮夜生活美学范式之中,张岱融通了彼此异质的市人、诗人与士人身份。正是在此自我完善、自我融通的过程之中,张岱到达了吾道不孤的精神境界并将之作为生命的出口。无论是治世的由技进道、以美明道,还是危时的以身守道、以人存道,张岱化君子之道入日用之常而又能以道自任,用之纾解时人时世之困,因之坚守为人为文之本,使暮夜书写作为其间载体成为不可磨灭的时代印记。
Zhang Dai’s Night-writing show us the popularization of the daily life in the late Ming Dynasty.The pattern of his night-life aesthetics was constituted by his taste to live an elegant life,the experience to be a recluse,and also the deep,quiet,secret enjoy in nature,during which Zhang Dai hided his complex identities of a citizen,a poet,and a scholar.He settled himself down and made himself stronger in the wider life consciousness and the higher spiritual shackles.Zhang Dai thinks highly of the ideal pursuit of the scholar,he takes it into daily life,makes it a responsibility to relax the anxiety of the society,and also holds it a key to what a man or an article is about.What he records and hides in his night-writing make it an indelible memory of the late Ming Dynasty.
出处
《古代文学理论研究》
2020年第2期494-514,共21页
Studies of Ancient Chinese Literary Theory
关键词
张岱
暮夜书写
生活美学
身份认同
Zhang Dai
night-writing
life aesthetics
identity
