摘要
刘勰引入易道模式来建构心物关系,在情志领域里建立起了自己的乾坤世界;将文学世界看作是在一定伦理秩序和自由天地之下的自然化生,而在这化生过程中又渗透着感物体道的理性色彩。《周易》意、象、言系统中"意"具有神圣性与理性,言、象、意具有一体性,"象"、"言"共同来完成对"意"的阐释,这一阐释系统在刘勰的意、象、言诗学话语系统中隐性存在并衍化变形,这使得文道的神圣性和理性得以延续和贯彻;在处理言意问题时,刘勰几乎成为语言本体论者,以语言来表达情志,呈现和建构艺术世界;而意、象、言阐释系统背后的数学和逻辑模型,也成为刘勰诗学中"数"理念的基石。形神分离与佛至象应之观念进入刘勰诗学创作之中,丰富了其心物关系的易学模式,形成了中国感物论的重大变局;佛学色彩的"神"与易学中的"阴阳不测之谓神"融合为一,在意象思维中共同发用。
Liu Xie introduced the"Yi Tao"pattern to construct soulmatter relationship and established his own system in the field of emotion;he regarded the literary world as a natural growth under a certain ethical order and free world.It was a rational process with impression of the world and Tao practice.The meaning,image,and speech system of The Book of Changes,"meaning"has Spirituality and rationality,and speech,image and meaning are integrated."Image"and"speech"complete the interpretation of"meaning"together.This interpretation system as a recessive existence is always changing in Liu Xie’s system in the meaning,image and speech poetics,which makes the spirituality and rationality of"Wen"and"Tao"to continue.About the problem of words and meaning,Liu Xie almost became a language ontology,and express emotions by language,present and construct the art world;and the mathematical and logical model behind the interpretation system of meaning,image and speech also became the foundation for"number"concept in Liu Xie’s poetics.Liu Xie introduced the separation of physique and vitality and the idea that pursue truth the whole appearances will reflect it into his poetic creation.It enriched his Yi-ology mode of soul-matter relationship,and formed a major change in China’s theory of feeling things.The combination of"God"in Buddhist and so called"unexpected Yin and Yang"in Yi-ology has been used in visual thinking.
出处
《古代文学理论研究》
2021年第1期194-215,共22页
Studies of Ancient Chinese Literary Theory
关键词
神理
易道
比兴
感悟
Shenli
Yi Tao
Bi and Xing
Sensations
