摘要
恭王府的清代彩画遗迹时间跨度大、类型丰富,包含和玺彩画、旋子彩画、苏式彩画三大类,计十小类。其彩画遗迹既是清代各个时期等级制度的体现,又是制度具有灵活度的实物例证。在实地勘察的基础上,探讨恭王府府邸区彩画绘制的年代、纹饰及工艺特点等。同时,通过对彩画的研究,佐证了公主出府的时间,并对嘉乐堂不同时期的建筑功能提出了新的思考。
Ten types of polychrome paintings of Qing dynasty can be found in Prince Kung’s Mansion,included in three broad categories:the Hexi Pattern,Xuanzi Pattern,and Suzhou Style Pattern.The polychrome paintings not only embody the hierarchical system in different periods of the Qing dynasty(1644-1911),but also exemplify its flexibility.On the basis of field investigation,this article explores time,decorative patterns,craftsmanship of the polychrome paintings in Prince Kung’s Mansion.The study of these polychrome paintings helps to provides evidence to confirm the time when the princess left this place.Also,the article proposes new thought on the architectural function of Jiale Hall that changed overtime.
作者
曹振伟
赵京
Cao Zhenwei;Zhao Jing
出处
《故宫学刊》
2020年第1期-,共17页
Journal of Gugong Studies
关键词
恭王府
府邸
彩画
Prince Kung’s Mansion
Residence area
Polychrome paintings
