摘要
(接上期)(五)歌剧的复兴2.威尔第歌剧的民族性特征"复兴三杰"的第二位是威尔第。无论在意大利歌剧史上或是世界歌剧史上,威尔第都是鼎鼎大名、无可替代的。当他写出了《弄臣》《游吟诗人》《假面舞会》《茶花女》等之后,58岁时又完成史诗般的《阿依达》,后又写出《奥赛罗》,80岁高龄完成最后一部喜歌剧《法尔斯塔夫》。
For decades,China’s operatic scene has been shrouded by"foreign accents and foreign tunes,"generating much debate and controversy.Playwright and librettist Huang Qishi,who served as Vice President of the China Opera and Dance Theater,discusses the issue of nationalism in Western operatic history,shedding light on the present and future of Chinese opera.
出处
《歌剧》
2020年第12期72-85,共14页
Opera
