摘要
得益于自身深厚的制瓷传统、长期的对外交流和借鉴以及全球化早期外部市场需求,到萨法维时期,伊朗青花瓷从生产规模、制造工艺到装饰风格全面走向成熟。萨法维青花瓷在器型和装饰风格上对中国元明青花瓷多有借鉴和模仿,但同时也根据欧洲市场需要,大量吸收西方装饰元素,将中国、欧洲和本土文化完美地融于一体,从而使萨法维青花瓷成为全球化早期历史的物化见证,且同时浓缩和蕴含了丰富的历史内涵。
Thanks to its strong porcelain-making traditions,long-standing foreign exchanges with and borrowings from Chinese porcelain industry and the early external market demands of globalization,the Iranian blue and white porcelain matured in all respects during the Safavid period in view of the scale of production,manufacturing techniques and decorative styles.The Safavid blue and white porcelain can be regarded a material witness to the early history of globalization,and at the same time,they are full of historical connotations.
作者
王泽壮
WANG Zezhuang(School of International and Regional Studies,Beijing Language and Culture University,100083,Beijing,China)
出处
《北方工业大学学报》
2023年第3期48-57,共10页
Journal of North China University of Technology
基金
国家社会科学基金重大项目“新世纪东方区域文学年谱整理与研究2000—2020”(17ZDA280)
国家社会科学基金重大项目“丝绸之路城市史研究”(18ZDA213)
关键词
伊朗
萨法维青花瓷
全球化
中西文化交流
Iran
the Safavid blue and white porcelain
globalization
the Sino-Western cultural com-munications
