摘要
华夏美学作为中国传统美学观念,在当下社会中依旧有其存在的价值,2020年上映的中国动画电影《姜子牙》证明了华夏美学的魅力与价值。它将华夏美学中的儒、道、禅三家美学观念融入自身,从动画的文本与创作过程中呈现了对儒家"士与入世"观念的传承,对"礼乐"与"游于艺"的观点做出了诠释;利用展现人物的"美"表达了道家对于"大美"的"物我两忘",以及作为"自然之美"的"以丑为美"的审美追求;还将禅宗难以言喻的佛教精神以物化的手法传递给观众,表现出了"顿悟"与"直彻心源"、"镜花水月"与"空"两组统一关系的禅意意境。将无形的华夏美学以润物细无声的方式融入影片,达到了对华夏美学的现代继承与传播。
Chinese aesthetics,as a traditional Chinese aesthetics,still has its value in the current society.The Chinese animated film which named"Legend of Deification"released in 2020 proves the charm and value of Chinese aesthetics.It integrates the three aesthetic concepts of Confucianism,Taoism and Zen in Chinese aesthetics into itself,and presents the inheritance of the Confucian concept of"personnel and mundane"from the noumenon of animation and the creative process,and the influence of"social rules for etiquette and harmony"and"enjoyment in the six arts";Using the"beauty"of the characters to express the Taoist’s"collective beauty"of"both subject and object are dissolved"and the aesthetic pursuit of"taking ugliness as beauty"as"the beauty of nature";It also conveys the ineffable Buddhist spirit of Zen to the audience in a materialized way,showing the unified relationship between"insight"and"face the mystery of life directly","the things do not exist in reality"and"emptiness".Incorporating the invisible Chinese aesthetics into the film in a silent and moisturizing way,it achieves the modern inheritance and dissemination of Chinese aesthetics.
出处
《北京文化创意》
2021年第3期46-51,共6页
Beijing Culture Creativity
基金
四川省社会科学重点研究基地四川动漫研究中心资助项目“电影工业化视域下中国动画电影对传统文化的传承研究”(项目编号:DM202134)阶段性研究成果
关键词
姜子牙
华夏美学
动画电影
儒家
禅宗
Jiang Ziya
chinese aesthetics
animated film
Confucianism
Zen
