摘要
2017年,《朗读者》出现以后,中国电视综艺就进入文化创新和政论类节目快速生产和发展的阶段。本文以央视制作的《朗读者》以及此前就已播出的政论类节目《开卷有理》和之后出现的《这就是中国》等为个案,探讨电视综艺如何从话语实践角度讲好中国故事,由此探讨电视综艺如何在受众尤其是青少年受众的层面上,应对网络视频综艺及其背后的意识形态的严峻挑战。
Since the Reader(CCTV)rose to the prominence in 2017,the state-owned TV stations have encapsulated a larger trend towards the production of the cultural varieties and the political talk shows.This article is to begin with the discussion of the Reader and its significance,and therefore to probe into the possibilities of leaning to tell a good Chinese story through the varieties on behalf of the TV stations,and finally to demonstrate how the TV stations compete with the dominated streaming platforms in terms of struggling for the young generations.
出处
《东方学刊》
2021年第4期103-115,127,共14页
Dongfang Journal
关键词
讲好中国故事
电视综艺
网络综艺
《这就是中国》
文化领导权
The Story of China
TV Varieties
the Cultural China
the Chinese Characteristics
the Cultural Hegemony
