摘要
在昊美术馆持续性项目"我与博伊斯"项目中,赵半狄一方面借着与馆藏的博伊斯作品与这位著名的行为艺术家进行对话,另一方面,他在展区以"展中展"的方式,打造了一个人类精神的庇护所,铸造了一叶逃离疫情的心灵方舟。赵半狄用审美的方式,搭建了一个超现实的襁褓、避难所、告解室,让人来到其中治愈和救赎心灵。疫情阴影下抑郁愁烦的人们,可以到这个小窝里来,在美学的灵氛中逃离沉沦的世界。
In the sustainability project"Me&Beuys"of HOW Art Museum,on the one hand,Zhao Bandi communicates with the famous performance artist Beuys by using the collection of Beuys’s work,on the other hand,he uses the form of"an exhibition in another exhibition"in the exhibition area to build a shelter for the human spirit,casting a soul ark to flee from the COVID-19.In an aesthetic way,Zhao Bandi builds surreal swaddling clothes,refuges and confession rooms,where people come for healing their hearts and redemption.Under the shadow of the COVID-19,depressed people can come to this hut to escape from the sinking world in the spiritual atmosphere of aesthetics.
出处
《当代美术家》
2020年第5期28-31,共4页
Contemporary Artists
关键词
审美
疗愈
当代艺术
aesthetics
healing
contemporary art
