摘要
查常平的两卷本《中国先锋艺术思想史》,是汉语学界对于中国当代艺术的首次整全性展现。首先,作者将世界图景逻辑的认知框架在中国先锋艺术的视域中确立为"世界关系美学";其次,作者基于时代精神的立场来对中国艺术的当代处境进行了分析。而他的真正目的,恰恰是通过对于中国当代艺术史的梳理和批判来实现对于整个中国社会文化的透析和批判,凸显出神圣精神在个体与社会中的普遍匮乏,并最终呈现出作者对于中国文化有朝一日能够迎来其灵性时代降临的深刻愿景。
The two-volume monograph A History of Ideas in Pioneering Contemporary Chinese Art presents a panoramic picture(renders an in-depth presentation)of contemporary Chinese art over the past two decades by Changping Zha,a prominent artistic critic in China.The cognitive framework of the world-picture logic is first daringly defined as part of the"World Relational Aesthetics"in the perspective of pioneering Chinese art,which is followed by a meticulous analysis of the state of contemporary Chinese art on the basis of the zeitgeist By examining and evaluating the history of its pioneering art,the author portrays a vivid picture of the Chinese society today,i.e.,a"mixed-modern"society which generally lacks the divine spirit Based on this judgment,the author makes a final appeal for the coming of"The Numinous"so as to achieve a fundamental renewal of the entire zeitgeist as well as individual spirits.
出处
《都市文化研究》
2021年第1期464-473,共10页
Urban Cultural Studies
关键词
神圣性
先锋艺术
关系美学
灵性
numinousm
pioneering art
relational aesthetic
spiritual
