摘要
作为中国最早形成的电影特性认识之一,幻觉特性是以电影的"运动"为表征,透过完形心理学的"心理整体观",以强化"联想"和"注意"为途径,在"似动"与"幻真"两大层面上影响了早期观众对电影的初级接受。而伴随观影经验的丰富和电影理论的初步发展,人们对电影幻觉特性的认识逐步脱离了感性经验的束缚,转而在电影的心理学原质,电影的心理视觉与听觉、电影光影的艺术效果等方面展开多重探索,使之成为早期电影理论界认识电影的艺术机能,发挥电影美学潜质的重要基础。
As one of the earliest understandings of the characteristics of movies in China,hallucination is characterized by the"movement"of movies.Through the"psychological holistic view"of Gestalt psychology,it uses"association"and"attention"as the avenue to influence the initial acceptance of movies of early audiences at two major levels:“movement illusion”and“reality illusion.”With the enhancement of film viewing experiences and the development of film theories,the understanding of the characteristics of film illusion gradually deviates from the perceptual experiences and turns to the multiple explorations,such as psychological nature of film,the psychological vision and acoustics of film,and the artistic effects of film light and shadow.For early film theorists,it lays an important foundation for understanding the artistic functions of films and developing their aesthetic potentials.
关键词
幻觉
完形
早期中国电影
hallucination
Gestalt
Early Chinese film
