摘要
岁时节令作为原始信仰和民间习俗的强化渠道,不仅凝聚着人们在社会生活中约定的崇尚和禁忌,更凸显着社会意识形态的权威和主流。通过岁时节令所举行的民间仪式和祭祀活动将民间禁忌和主流意识传递给民众,并在潜移默化中加以稳固和张扬。戏曲表演作为传统高台教化的重要形式,天然地和岁时节令相关联,使得古代戏曲舞台在视觉上呈现出别具韵味的色彩选择,这其中既有承载"乐感文化"和"乐天悯人"的色彩崇尚,也有展现取悦神灵和趋吉避祸的色彩禁忌。
Annual festival as the strengthening channel of original beliefs and folk customs,not only embodies advocate and taboos of the people agreed in the social life,but also highlights the authority and mainstream of social ideology.Civil ceremony and festival held by annual festivals passes folk taboos and mainstream awareness to the public,and be firm and assertive in subtle.As an important form of traditional high-indoctrination,opera performance is naturally associated with annual festivals,which makes ancient opera stage have a unique charm of color choices in the visual exhibits.Among which,it carries the color advocate of "optimistic culture" and "empathy nature",also shows the color taboo of pleasing the gods and seeking good fortune and avoiding disaster.
出处
《黄河文明与可持续发展》
2020年第1期132-140,共9页
Yellow River Civilization and Sustainable Development
基金
2017国家社科基金后期资助项目“中国戏曲表演的色彩艺术研究”(2017FYS020)阶段性成果
关键词
岁时节令
戏曲
色彩
annual festival
opera
colors
