摘要
龟兹佛教造像艺术深受希腊艺术影响,在面部塑造上呈现出深目高鼻的典型特征,眼睛形状是西方的杏仁眼。在3—4世纪龟兹塑像上出现了丹凤眼的形状,随之引发了一系列造型问题。经过不断调整,至7世纪龟兹雕塑中的丹凤眼造型与汉地审美几无差异,深目高鼻的特征也消失了。龟兹雕塑中丹凤眼的出现和审美的形成,与汉人西迁、汉地政治和文化的强力影响以及造型艺术的具体实践密切相关。
The Qiuci art of Buddhist statues is deeply influenced by Greek art in the sense that the facial features show deep eyes and high-bridged noses and that the almond-shaped eyes bear strong occidental characteristics.The emergence of such phoenix eyes on 3-4th century Qiuci Buddhist statues triggered a series of modulations in the shape of the eyes.Through continuous adjustment,the phoenix-eye feature of Qiuci Buddhist statues had almost become aesthetically identical to that of the Han region by the 7th century and the deepeye and high-nose features had also disappeared.The emergence of such phoenix eyes on Qiuci Buddhist statues and the formation of such aesthetic pursuit are closely related to the westward migration of the Han people,the strong political and cultural influence of the Han domain,and the specific practice of formative arts..
作者
刘亚璋
Liu Yazhang(Zhongshan University)
出处
《湖南省博物馆馆刊》
2020年第1期398-405,共8页
Hunan Provincial Museum
关键词
龟兹雕塑
丹凤眼
汉人
Qiuci statues
phoenix eyes
the Han people
