摘要
学界此前关于"诗缘情而绮靡"的研究,多措意于"言志"与"缘情"的对比,有关"缘情"与"绮靡"关系的讨论,亦普遍倾向于指出其关联性。事实上,"缘情"与"绮靡"所指涉的两种文学思想分属"质""文"两端,在传统"诗言志"话语的权威逐渐消解的魏晋南北朝时期,二者虽相对"言志"话语而言确有其价值导向上的相通性,但同时亦呈现出相当紧张的张力与竞争关系。作为不同层面的价值诉求,"缘情"论与"绮靡"论两类话语在诸多时人论述中都留下了冲突与竞争的痕迹,二者的交织与纠葛,充分展现出魏晋南北朝时期文学思想生态的复杂性与多样性。
Previous study of the"poetry comes from emotion and leads to beauty"prefers to focus on the comparison of"aspiration"and"emotion".There is also a general tendency to point out their relevance in discussions on the relationship between"emotion"and"beauty".In fact,focusing on the"emotion"or the"beauty"belong to two types of thoughts,which is focusing on the"essence"or the"literary".Wei,Jin,Southern and Northern Dynasties is a period that the authority of the traditional literary concept collapse,"emotion"and"Beauty"are exactly two of the most powerful contenders for the new hegemony.The conflict and the competition of these two literary thoughts are significant themes that show us the complexity and diversity of literary ecology during that period.
作者
熊忭
Xiong Bian(School of Humanities,China University of Political Science and Law,Beijing 100088,China)
出处
《河南大学学报（社会科学版）》
CSSCI
北大核心
2021年第4期111-117,共7页
Journal of Henan University(Social Sciences）
关键词
魏晋南北朝
缘情
绮靡
质
文
the Wei,Jin,Southern and Northern Dynasties
emotion
beauty
essence
literary
