摘要
从木材加工的角度考察古建筑构件形制,假昂的制作非常特别。其中,下出假昂的昂头多单独制作,拼接于前端,而不浪费大料一体加工,以此反思平出假昂的加工,也有相同的目的,两者均体现了我国早期建筑“就材充用”的基本原则,而晚期建筑并没有完全延续这一原则,在官式与民间建筑中出现了分化。
From the perspective of wood processing to study on the structure and shape of ancient architecture component,the false ang is very special.As one type,the head of a lower false cantilever arm(ang)is mostly made separately and spliced in the front end,without wasting large raw materials for integrated processing.Based on this,the processing of a horizontal false ang has the same purpose.Both of them reflect the basic principle of“adequate utilization in accordance with materials”in ancient Chinese architecture,while the later architectures did not fully continue this principle and differentiation appeared between the official and vernacular architecture.
出处
《建筑史》
2021年第1期17-25,共9页
基金
教育部人文社科重点研究基地重大项目(16JJD780003)
国家自然科学基金(51878007)资助
关键词
假昂
材料
形制
就材充用
false ang
material
structure and shape
adequate utilization in accordance with materials
