摘要
回顾中国传统视觉文化中废墟叙事的历史,对比中西方文化中废墟审美的差异,阐述了面对废墟在不同时期、文化背景下人类所共享的伤感情愫。在当代存量设施再利用和人文建筑的语境中,废墟营造一类的项目越来越受到关注。通过这类作品的分析研究,提出当代中国建筑师在进行新废墟设计时继承了传统人文怀古画"内化场景"理念,在恪守历史透明的原真性原则的前提下进行激发时空张力的建造,创造出"魔幻理性主义"的风格倾向。
This paper reviews the history of ruins narrative in Chinese traditional visual culture,compares the aesthetic differences of ruins in Chinese and Western cultures,and expounds the sentimental feelings shared by human beings in the face of ruins in different periods and cultural backgrounds.In the context of the reuse of existing facilities and cultural buildings,more and more attention has been paid to the construction of ruins.Based on the analysis and research of such classic works,this paper proposes that the contemporary Chinese architects inherit the concept of"internalizing the scene"of the traditional humanistic ancient paintings in the design of new ruins.Ruling by the authenticity principle of historic transparency,the creative method of contrastive construction motivates the space-time tension to create the style tendency of"magic rationalism".
出处
《建筑技艺》
2020年第S02期1-3,共3页
Architecture Technique
关键词
废墟营造
内化场景
历史透明
时空张力
魔幻理性主义
ruins construction
internalized scene
historic transparency
spacetime tension
magic rationalism
