摘要
艺术家创作的场所可以是建筑空间,也可以是构成类似空间的任何物体——它们都是其绘画的原始媒介。艺术家每次在不同的空间"现场"创作,作品从这个空间生长出来——《起重机的对角线》就是在杨浦滨江的吊塔上现场创作的作品。这件作品取形于三座橙色塔吊。此处,艺术家希望扰乱起重机的次续,来缅怀过去的时光。从东侧望向起重机,可以看见几何构图,这些图形使它们彼此共振。而散步的观看者将感受到这些用金属结构进行绘画的空间变体。
The place the artist creates can be an architectural space or any objects that make up space—they are the original medium of his paintings.Every time the artist creates“on-site”in a different space,the work grows out of the space.Set of Diagonals for Cranes is a work created on-site on the crane towers along Yangpu Riverside.The work takes shape on a set of three orange cranes.Here the artist’s wish is to play with this set of out of order unloading cranes,memory of a past time.It is a matter of putting them in resonance with each other,by a geometric composition visible from the point facing all the cranes on the east side.The stroller viewer will see the multitude of spatial variants of painting playing with these metallic structures.
出处
《建筑实践》
2020年第S01期130-132,12,共4页
Architectural Practice
