摘要
您的作品《山》位于公共环境中,这和放置在美术馆中的考量有什么不同?您在做公共艺术作品时,是否更多的考虑到"公共"这一概念?我其实不太考虑公共性。有些艺术家会过多地考虑这些方面,猜测观众会喜欢的互动方式,但其实现在观众的接受度和审美都在逐步提升,都很聪明,思考、感受的范围往往不是预测中的样子。任何一个艺术作品都有"公共"的可能,所谓"公共性"也不仅仅是存在城市空间的公共环境中.
Your artwork Mountains is located in a public space.How is this different from placing your artwork in a museum?Do you give more consideration to the concept of“publicity”when making public art works?I actually don’t consider publicity much.Some artists will overthink these aspects.Guessing the way that the audience will like to interact,but in fact,the audience’s acceptance and aesthetics are gradually improving.They are all smart,and the range of thinking and feeling is often not what they would predict.Any artwork is possible to be“public.”The so-called“publicity”is not only in the public space under the urban context.For example,the earliest exhibition was held in the palace.And later,it was taken to the society,white box,or placed in someone’s home or body.But as long as the works are viewed by the audience.They are all being“public.”
出处
《建筑实践》
2020年第S01期156-159,共4页
Architectural Practice
