摘要
十二相面具舞,广泛流行于甘肃、四川、云南、山东、台湾等地。其中甘肃文县白马人的同类型舞,表演形态古老,有很高的文化价值,但长期以来对它的内涵及承载的文化密码,学界却语焉不详。文县十二相舞是唐代民间傩"十二生肖"驱疫传统的遗迹,与佛教十二时兽的关系不大,面具舞中的狮子形象与传统的十二生肖不同,体现出传承中的"变异性"特征。该傩舞形式于20世纪初由四川南坪传入陇南文县,而南坪目前流行的"十二相"舞与文县差别大,较文县的晚出,具有明清时期民间傩的特征。
Twelve-icon mask dance is popular in Gansu,Sichuan,Yunnan,Shandong,Taiwan and other places.With an ancient performance form,the dance performed by the Baima people in Wenxian County of Gansu Province is of high cultural value.However,the academic community have not clearly interpreted its connotations and cultural code for a long time.As the remains of exorcising tradition of Chinese zodiac in the Tang Dynasty,it has little to do with the twelve hourly creatures of Buddhism,and the lion image in this dance is different from the one in traditional Chinese zodiac.These differences reflect the"variability"in inheritance.This Nuo dance was introduced into Wenxian County,Gansu Province from Nanping County,Sichuan Province in the early 20th century.However,the popular twelve-icon mask dance in Nanping is quite different from its counterpart in Wenxian County.The former appeared later than the latter and has the characteristics of folk Nuo dance in the Ming and Qing dynasties.
作者
胡颖
王天如
HU Ying;WANG Tian-ru(School of Chinese Language and Literature,Lanzhou University,Lanzhou 730000,China)
出处
《兰州大学学报（社会科学版）》
CSSCI
北大核心
2021年第1期134-141,共8页
Journal of Lanzhou University（Social Sciences）
基金
国家社会科学基金项目“甘肃皮影戏史论研究及抄本整理”(19EB197)
关键词
白马人
十二相面具舞
十二兽
十二生肖
驱傩传统
唐代敦煌傩
Baima people
twelve iconic mask dance
twelve creatures
Chinese zodiac
exorcise tradition
Dunhuang Nuo Dance in Tang Dynasty
