摘要
自周公"制礼作乐"以来,儒家血亲情理观念主导了传统社会的演变。它一方面将无血缘关系的君臣之间的等级秩序楔入父子血缘亲情之中,另一方面又把父子之间的血缘亲情比兴到无血缘情感的君臣关系之中,从而凭借血缘亲情的凝聚力维系着国家的等级制度,使其成为一种超稳定的文化心理结构。这种血亲情理通过从心理层面的情欲结构到制度层面礼乐仪式的转化,形塑了国人的礼仪制度,建构了礼乐美学,因而是礼乐美学的逻辑起点和文化基因。
Since the Duke of Zhou in the Shang Dynasty established the system of"rites and music",the Confucian concept of consanguineous affection has dominated the evolution of the traditional society.The hierarchical relationship between emperors and subjects has increasingly been part of the father-son relationship;and,conversely,the father-son relationship has been used to describe the relationship between emperors and subjects.In this way,the national hierarchy was maintained through the affinity of kinship and evolved into a stable structure of cultural mentality.Consanguineous affection was gradually transformed from individual psychology into an institutional system of"rites and music".It shaped the Chinese etiquette system and ritual aesthetics.Thus it can be regarded as the logical starting point and cultural origin of Chinese ritual aesthetics.
作者
王彦章
WANG Yanzhang(Zhejiang University of Science and Technology)
出处
《马克思主义美学研究》
2019年第2期413-426,633-634,共16页
Research on Marxist Aesthetics
基金
国家社科基金重大项目“中国礼乐美学对传统制度文明的创构研究”(17ZDA015)阶段性成果
关键词
血亲情理
等级制度
逻辑起点
文化基因
情理结构
礼乐美学
consanguineous affection
hierachy
logical starting point
cultural gene
affection structure
ritual aesthetics
