摘要
谢林创立了艺术哲学与神话哲学,由此确立了艺术与神话的本体地位。由艺术哲学到神话哲学,谢林的思想有保留也有扬弃,保留在于谢林坚持认为神话是艺术的质料和源泉,扬弃则在于谢林将“神话是族类的发明”的观点转变为“神话不是一种发明”。谢林通过一种自下而上的消除法获得了神话哲学的答案,进一步指出神话的诞生地是人类原初意识,神话产生的时间是民族大分化时期,神话的本质是相继式多神论,神话的意义在于重建统一体。在艺术哲学中,谢林神话哲学的雏形业已初步形成,为神话哲学的产生奠定了基石;而神话哲学则是艺术哲学中神话思想的修正、补充、系统阐述以及更深层次的发展。
Schelling founded the philosophy of art and the philosophy of mythology,thus establishing the ontological status of art and mythology.From the philosophy of art to the philosophy of mythology,Schelling’s thoughts had both reservations and rejections.The reservations lie in Schelling’s insistence that mythology is the material and source of art,while the rejections lie in Schelling’s transformation of the view that“mythology is an invention of the genus”into“mythology is not an invention”.Schelling obtained the answer to the philosophy of mythology through a bottom-up elimination method,further pointing out that the birthplace of mythology is the original human consciousness,the time of mythology generation is the period of great ethnic division,the essence of mythology is successive polytheism,and the significance of mythology is the reconstruction of the unity.In the philosophy of art,the prototype of Schelling’s philosophy of mythology had already been formed,laying the cornerstone for the emergence of the philosophy of mythology;and the philosophy of mythology is the revision,supplementation,systematic elaboration and deeper development of mythological ideas in the philosophy of art.
作者
任群
Qun REN(Shandong University)
出处
《马克思主义美学研究》
2023年第1期225-239,444,共16页
Research on Marxist Aesthetics
关键词
谢林
神话哲学
艺术哲学
Schelling
philosophy of mythology
philosophy of art
