摘要
当代政治理论的美学转向强调引入审美和艺术视角,剖析民主体制的运行逻辑,以期为具体政治决策提供助益,由此形成了与左翼理论有所区别的政治一美学研究理路。荷兰历史学家、美学家弗兰克·安克斯密特堪称这一研究脉络之先驱,他所提出的“美学政治学”旨在将美学领域的“再现”概念嫁接于政治领域,揭橥美学再现和政治代表中共同隐含的“摹仿论”倾向,并将其背后寻求“涵盖性秩序”的思维方式溯源至斯多亚主义哲学。安克斯密特的“美学政治学”旨在构建以“美学鸿沟”与反讽为内核的民主政治,提倡政治协商而淡化共识,为理解美学与政治的互动关系提供了崭新视角。
The aesthetic turn in contemporary political theory emphasizes the intervention of aesthetic and art perspectives to analyze the logic of the functioning of political institutions,and to provide guidance for concrete policies,thus forming a special politic-aesthetic research paradigm,which differs from Marxist Left Wing theory.Frank Ankersmit is a pioneer in this turn,and his aesthetic politics theory aims to apply the concept of aesthetic representation to the field of poltics,revealing the tendency of imitation common to both aesthetic and political representation,and tracing the underlying paradigm that seeks tertia comparationis(encompassing order)to Stoicism.Ankersmit's aesthetic politics theory aims to construct a democratic politics with the aesthetic gap and irony as its core,advocating political compromise and downplaying consensus,providing a new perspective for understanding the interaction between aesthetics and politics.
作者
贺嘉年
Jianian HE(Fudan University)
出处
《马克思主义美学研究》
2024年第1期187-202,478,共17页
Research on Marxist Aesthetics
关键词
政治理论的美学转向
安克斯密特
美学再现
政治代表
美学政治学
The aesthetic turn in political theory
Ankersmit
aesthetic representation
political representation
aesthetic politics
