摘要
夸丽铺饰,是散体赋初立体制时最明显的文体特征,也根深蒂固地贯彻了整个赋史。但从两汉之交京都赋的写作开始,其内容已呈现明显的征实化倾向,使铺饰夸丽的一面被相对挤兑,散体赋的写作呈现“史化”一途。相应地,文人的赋体观念也随之转化,“崇实”成为后期大赋作家普遍自觉的写作追求。由此也使得愈来愈多题材各异的大赋作品具有史料、志乘、类书的意义和价值。而究其终始,异质文体的相互参涉是促成因素之一。
Grandiloquence was the most obvious stylistic feature of Santi Fu at the beginning of its establishment and deeply rooted in the whole history of Fu.But from the writing of Jingdu Fu at the turn of the two Han Dynasties,the content showed an obvious tendency to be realistic presenting a"historical"way while grandiloquence faded.Accordingly,the literati’s conception of Fu also changed with"respecting reality"as the writing pursuit especially by the later great writers,a.Therefore,more and more great Fu works with different themes had the value of historical data,records and reference books.The interplay of different styles is one of the contributing factors.
作者
李成林
Li Chenglin(College of Chinese Language and Literature,Qinghai Normal University,Xining,Qinghai,China 810016)
出处
《内蒙古师范大学学报（哲学社会科学版）》
2022年第4期107-114,共8页
Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition
关键词
散体赋
内容征实
史料价值
志乘意义
文体互参
Santi Fu
realistic content
value of historical data
significance of record
interplay of different styles
