摘要
在全球化、现代化、城镇化、商业化快速推进的当下,乡土民间歌舞在实现向舞台民间歌舞华丽蜕变的同时,正在与其赖以生存和发展的乡土环境渐行渐远,导致其自身的乡土味被逐渐稀释、淡化、消融……本文以鄂西土家族喜丧仪式歌舞——"花鼓子""撒叶儿嗬"为例,试图以民俗述描的方式探寻民间歌舞乡土味的形成因素,提出由乡容、乡音、乡情、乡韵交融而成的乡土之味道,是民间歌舞的独特魅力所在,也是其经历岁月陶染后依旧质朴动人、焕发生命力的根本,更是尚且生活在乡间的人在更多由"陌生人"所组成的现代社会里倔强地彰显自我存在、民族存在的一种标签,由这种味道所孕育的"美",乃是乡土之自在,它包含着人的恋土和回归家园的冲动本源。
Under the current circumstances of globalization,modernization,urbanization,and commercialization,local folk songs and dances are gradually going onto the stage and getting farther and farther away from the original environment which they evolved and grew out of.In this process,the local taste is gradually lost.Based on folklore descriptions,this paper explores the native charm of Chinese folk songs and dances by examining the funeral songs and dances of the Tujia ethnic group in the western Hubei Province,as well as how the native charm has been generated.This paper believes that native charm rests with the local landscape,the local accent,the local emotions and the local rhythm,and underlies the survival and development of folk songs and dances like"Flower Drum"and"Funeral Dance."Moreover,it embodies the hope of people still living in the countryside to preserve their identity in a modern society of"strangers".As it derives from the native land,this kind of charm ref?lects the local people’s attachment to their homeland and their desire to return.
出处
《当代舞蹈艺术研究》
2019年第3期63-67,共5页
Contemporary Dance Research
基金
国家社会科学基金项目“清江流域土家族人生礼仪乐舞文化研究”(项目编号:14BMZ052)阶段性成果。
关键词
土家族
喜丧仪式歌舞
“花鼓子”
“撒叶儿嗬”
乡土味
Tujia ethnic group
funeral song and dance
"Flower Drum"
"Funeral Dance"
native charm
