摘要
在中国舞蹈发展的"区域—中心"格局的大背景下,"岭南舞蹈"作为较为成功的区域舞蹈发展案例,表现出中国民族民间舞蹈区域化、多样化发展的时代特征和审美风貌。文章从"岭南舞蹈"的概念及其当代发展研究的文献文本出发,对岭南舞蹈在动态发展中的概念衍变及其历史书写进行分析与评述。在此基础上,进一步从"区域—中心"的全局视野,以岭南舞蹈为切入点对区域舞蹈、传统舞蹈的历史书写、文化研究等问题进行阐述,从而为以区域块状文化结构为根本的中国民族民间舞蹈的多样化发展、学理性建构提供一种经验与模式,同时也为当前民族民间舞蹈创作明确文化动因与发展逻辑。
In the"region-center"development pattern of Chinese dance,"Lingnan Dance"is a relatively successful case of regional dance development,acting as proof of regional and diversified development of Chinese folk dance in the new age.Starting by examining the concept of"Lingnan Dance"and surveying studies of its development,this paper reviews the conceptual evolution and"history writing"of Lingnan Dance in its development process.On this basis,this paper adopts the"region-center"perspective to examine the history writing and cultural studies of regional dances and traditional dance in the broader sense,offering experience and a model for studying the diversified development of Chinese folk dances and the construction of academic rationality based on regional block cultural structure.At the same time,it reveals the cultural motivation and current development logic for the creation of folk dances.
作者
仝妍
王情
Tong Yan;Wang Qing
出处
《当代舞蹈艺术研究》
2020年第4期44-48,84,共6页
Contemporary Dance Research
基金
华南师范大学“挑战杯”金种子培育项目“或忆或述、且承且载:岭南舞蹈发展口述实录”(项目基金编号:19YYKA02)课题成果之一
