摘要
在宋代,"枯"成为特定美的表征,枯物被当作一种审美对象,这种枯趣味包括寒瘦、疏淡、老怪等多种美感形态,是宋型审美尚健好古风格的集中体现。在文学创作领域形成枯物世界的吟咏,绘画方面则主要表现为枯木等题材在文人画中的风行,构成独特的"枯"世界,具有深邃多元的内涵与象征意义。通过诗画等艺术手段,以苏轼为代表的宋人集体创造出枯树、老梅、瘦竹等系列意象,揭示枯物的形态美与精神内涵,并以之观照内心世界,表现出明确的反花卉审美倾向与文人审美特质。
In the Song dynasty,witheredness(ku)came to be the representation of a particular type of beauty,with the withered objects regarded as the object of aesthetic interest.The taste for witheredness manifests in various forms such as cold and thin,sparse and plain,old and strange,epitomizing the ancient-emulating aesthetics of the Song dynasty.Besides literary texts highlighting the withered objects,literati paintings constitute a unique world characterized by witheredness popularized with examples of withered objects such as dead trees,aged plum trees,and thin bamboos.The aesthetics for the withered reflects the taste and spiritual pursuit of the literati which shows their temperaments and tendency of opposing the gaudy and mundane.
作者
董赟
Dong Yun(the Boya(Liberal Arts)College,Sun Yat-sen University,Guangzhou 510275,Guangdong Province,China)
出处
《文艺理论研究》
CSSCI
北大核心
2021年第1期73-80,共8页
Theoretical Studies in Literature and Art
基金
教育部人文社会科学研究青年基金项目“诗画互文:宋元‘荒寒’艺境的生成与嬗变研究”[项目编号:20YJCZH022]
中山大学中央高校基本科研业务费专项资金资助项目[项目编号:20wkpy01]的阶段性成果。
关键词
枯
审美
宋诗
文人画
witheredness
aesthetic
Song-dynasty poetry
literati painting
