摘要
"诸众"是奈格里和哈特在后结构主义"解构主体"之后重构的独一性与共同性统一、身体性与情感性兼具的概念,是推翻"帝国"控制并建构"大同世界"的后现代社会的主体。而奈格里是从艺术与诸众的关系这一角度出发来探讨社会问题的,从这种视角来看,我们可以将其推衍"诸众"理论的逻辑概括为美学化的、"生命政治化"的,其内在的理路可以概括为从诸众的"身体美学"到"身体诗学",再到"身体/奇异性政治"的过程。
"The Multitude",a concept reconstructed by Antonio Negri and Michael Hardt after the deconstruction of the subjecthood by post-structuralism,is a combination of singularity and commonality,and physicality and affection,and it is the subjecthood of postmodern society that overthrows the control of the empire and constructs the commonwealth.In the early days,Negri began to explore social issues from the perspective of the relationship between art and the multitude.From this perspective,his logics in constructing the multitude can be summed up as aestheticization and bio-politicization,and its inner trajectory of reasoning can be summarized as a transformation from the"somaesthetics of multitude"to the"poetics of body",and to the"body/singularity politics".
作者
李缙英
Li Jinying(School of Culture and Communication,Shandong University(Weihai),Weihai 264209,Shandong Province)
出处
《文艺理论研究》
CSSCI
北大核心
2021年第2期211-218,共8页
Theoretical Studies in Literature and Art
基金
第66批中国博士后科学基金面上资助项目“当代西方马克思主义中的‘共同体美学’研究”[项目编号:2019M662387]
国家社科基金重大项目“20世纪西方文论中的中国问题”[项目编号:16ZDA194]的阶段性成果
关键词
诸众
身体美学
奇异性
美学化
生命政治化
the multitude
somaesthetics
singularity
aestheticization
bio-politicization
