摘要
塞缪尔·理查逊的代表作《帕梅拉》是18世纪英国深具影响力的一部文学作品。小说中的女主角帕梅拉凭借个人美德挫败了意图不轨的少东家B先生,并促使后者改过自新。理查逊的明确的道德说教意图是在文本中的个人主体性与社会公共性互为建构中实现的,文学公共领域的实例由此成型。细究文学公共领域与道德性之间的辩证关系,有助于理解18世纪英国小说融于社会意识建构的实施路径,也为此时期的文本解读提供了新的视角。
Samuel Richardson’s masterpiece,Pamela,is a literary work with great social influence in the18 th-century England.Pamela,the heroine,frustrated the evil thoughts harbored by the young master Mr.B on reliance of her own virtue,and made the latter a reformed man.The explicit intention of moralization of Richardson is actualized in the interaction between personal subjectivity and social publicness,in which the showcase of literary public sphere comes into being.The close study on the dialectical relationship between literary public sphere and morality will be helpful for understanding the concrete method of the 18 th-century English novels’ integration into the construction of social consciousness,and will provide a new perspective on the textual analysis of the literary works in this period.
出处
《复旦外国语言文学论丛》
2019年第2期92-98,共7页
Fudan Forum on Foreign Languages and Literature
基金
国家社会科学基金青年项目“18世纪英国小说与文学公共领域的建构研究”(批准号12CWW022)阶段性研究成果.