摘要
《杀死比尔》是昆汀·塔伦蒂诺继《落水狗》《低俗小说》等一系列以暴力美学为主要看点作品之后的又一经典力作。与以往作品不同的是,《杀死比尔》系列影片中采用了大量的以中华文化和日本文化为代表的东方文化元素。本文将以《杀死比尔》为例,着重从叙事结构、文化符码和主题模式等多个角度分析影片中的地域文化融合现象。
Kill Bill is another classic work by Quentin Tarantino after Reservoir Dog,Pulp Fiction and other works with aestbeticization of violence as the main focus.Different from his previous works,Kill Bill series has adopted a large number of oriental cultural elements represented by Chinese culture and Japanese culture.This paper will take Kill Bill as an example to analyze the phenomenon of regional cultural integration in the flm from the perspectives of narrative structures,cultural codes and thematic patterns.
作者
张鸥
Zhang Ou(Office of International Exchange and Cooperation,Shandong Normal University)
出处
《世界文学评论（高教版）》
2023年第1期169-173,共5页
The World Literature Criticism
关键词
杀死比尔
叙事结构
文化符码
主题模式
文化融合
Kill Bill
narrative structure
cultural code
thematic pattern
cultural integration
