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我国民族音乐剧发展方向的实证研究——以《鄂尔多斯婚礼》为例

An Empirical Study on the Development Trends of Ethnic Musicals in China——Take Ordos Wedding for Example
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摘要 音乐剧《鄂尔多斯婚礼》融合了蒙古族传统的民歌与舞蹈,借助了独特的中华民族器乐,彰显了传奇的音乐审美意境,蕴藏着诸多的审美元素,展示了波澜壮阔的地域历史、善良淳朴的民风民俗、朴素虔诚的宗教信仰。它昭示出我国民族音乐剧和谐统一的律动之美、典雅古朴的诗意之美、情景交融的意境之美,也启迪我们充分展示色彩斑斓的地域文化,灵动体现丰富多元的中华民族音乐题材,积极追求多姿多彩的表演形式,从而创新发展我国的民族音乐剧。 The Mongolian musical Ordos Wedding is such an excellent show,showing a magnificent ethnic cultural long scroll including Mongolian history,kind and simple folk customs,unadorned religious beliefs,integrating the Mongolian traditional folk songs and dance,playing unique Chinese ethnic instrumental music while highlighting the original legendary music aesthetic mood,and containing all sorts of aesthetic elements.It illustrates the aesthetic development direction of Chinese ethnic musicals,including but not limited to the beauty of rhythm with harmony and unity,the beauty of poetry with elegance and simplicity,and the beauty of artistic conception of blending emotion with scenery,which could enlighten us to fully display the spectacular national regional culture,flexibly reflect the abundant and diverse ethnic music themes,thus actively pursuing the varied and graceful ethnic performance forms,as well as innovating and developing and vitalizing our ethnic musical.
作者 郭蕊 GUO Rui(Inner Mongolia Institute of National Cultural Industry,Ordos 017000,China)
出处 《前沿》 2021年第2期63-66,共4页 Forward Position
关键词 民族音乐剧 艺术审美 鄂尔多斯婚礼 Ethnic Musicals Art Aesthetic Ordos Wedding
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