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高原丝绸之路视野下的汉藏艺术交流——以噶玛嘎孜唐卡为例

Sino-tibetan Art Exchange from the Perspective of Plateau Silk Road: A Case study of Karma Gazi Thangka
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摘要 唐卡是藏族精神文明与物质文明双重发展的产物,是汉藏艺术交流互鉴的结晶,也是汉藏两个民族在高原丝绸之路密切交往的重要见证。从高原丝绸之路的视角出发,以噶玛嘎孜唐卡为例,对汉藏艺术的交流和互鉴展开讨论,可以发现汉地绘画艺术对噶玛嘎孜唐卡的影响主要以绘画技法和绘画风格为主,而噶玛嘎孜唐卡对汉地的影响则体现在艺术和文化两个方面。关注高原丝绸之路上的汉藏艺术交流,对推进“一带一路”上的民族交流史、艺术发展史、铸牢中华民族共同体意识等课题均有重要意义。 Thangka is the crystallization of exchanges and mutual learning between The Han and Tibetan arts,and also an important witness of the close exchanges between the two nationalities along the Plateau Silk Road.From the perspective of plateau Silk Road,this paper discusses the exchange and mutual learning between Chinese and Tibetan art by taking Gamagazi Thangka as an example,and points out that the influence of Chinese and Tibetan painting on Gamagazi thangka is mainly in painting techniques and painting styles,while the influence of Gamagazi thangka on Chinese and Tibetan art is reflected in art and culture.It is of great significance to strengthen the study of plateau silk Road art in"The History of ethnic exchanges","the history of art development"and"forging a strong sense of community of the Chinese nation"in"the Belt and Road".
作者 毕光美 BI Guang-mei(Department of History,Shanghai University,Shanghai 200444,China)
出处 《青海师范大学学报(社会科学版)》 2022年第4期113-118,共6页 Journal of Qinghai Normal University(Social Sciences)
基金 国家社科基金重大项目“‘一带一路’佛教交流史”(19ZDA239)
关键词 高原丝绸之路 汉藏艺术 噶玛嘎孜 唐卡 plateau silk road han and tibetan art karma garzi thangka
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