摘要
新中国旧体诗的创作并没有停止,理论上也在不断探索。早期主要着力于对革命家诗歌创作精神的弘扬。"文革"期间,旧体诗成为抒写忧愤、对抗不幸的艺术手段,创作上开始兴盛起来。新时期以来,旧体诗创作获得巨大的发展,旧体诗集参与评奖,学界发生了关于旧体诗入史的争鸣,对于旧体诗内容和形式的继承和新变也有许多的思考。
The writing and thinking of classical poetry didn’t stop in the new China.In the early stage,it mainly focuses on the promotion of the spirit of the revolutionaries.During the cultural revolution,poetry writing throve as an artistic means to express sorrow and suffering.Since the new era,the writing of old style poetry has gained great development,the old style poet won the Lu Xun Prize,the author of history of modern literature paid attention to old poetry written in modern times.Many theoretical explorations focused on inheritance and innovation of classical poetry.
出处
《思想与文化》
2019年第2期231-246,共16页
Thought & Culture
基金
教育部人文社会科学重点研究基地重大项目“20世纪传统诗学文献整理与理论研究”(16JJD750011)
关键词
新中国
旧体诗
文学理论
People’s Republic of China
classical poetry
literary theory
