摘要
宗炳《画山水序》是中国画史记载的第一篇山水画论,学界对其解读不详。本文试图通过对宗炳形象的还原,以及对其莲宗净土信仰的追踪,揭示出《画山水序》的“体用思想”与“创作关系”,是以庐山莲社的“神不灭”观念出发,“澄怀味象”为路径,来传达山水画艺术创作过程的。换言之,宗炳是用莲宗净土信仰来建构山水画的“艺术积累”、“艺术构思”、“艺术表现”三大创作理念的。
Zong Bing’s Preface to Landscape Painting is the first landscape painting theory found in the history of Chinese painting.The academic circle is unconvinced with the interpretation of the creation concept of“Preface to Landscape Painting”.Through the image restoration of Zong Bing and the tracking of his belief in the pure land of Lianzong sect,this paper attempts to reveal the relationship between the“body and use thought”of“Preface to Painting Landscape”and the original intention of creation.It was discovered that Zong Bing started from the concept of“God is immortal”in the Lushan Lotus Society,and took the path of“clearing mind and see the Tao”to construct the three artistic processes of landscape painting,namely“art accumulation”,“artistic conception”and“artistic expression”.The creative behavior concept,I want to use this to seek advice from Fang’s family.
出处
《思想与文化》
2022年第1期225-241,共17页
Thought & Culture
基金
国家社科基金,中国历史“基于碑刻墓志文献的北朝民族认同研究”(项目编号:18BZS116)阶段性成果
关键词
《画山水序》
莲宗信仰
神不灭
澄怀味象
山水画创作
“Preface to Landscape Painting”
the pure land belief
immortal spirit
clearing mind and see the Tao
creation of landscape painting
