摘要
17世纪烧制成功的日本伊万里瓷器,从诞生到原料、技术、风格和样式的迭代,从畅销亚欧各地到退出国际市场,无不是东亚海域局势变化的结果。本文在前人研究的基础上,考察伊万里瓷器与东亚海域之间的密切关联性:一方面是从陶瓷史的角度,将伊万里瓷器的产生、发展和衰落的历史,放在东亚海域史乃至全球史的脉络中来考察;另一方面是将伊万里瓷器作为观察东亚海域史的一个视角,作为东亚海域变迁的史料和物证,通过伊万里瓷器的历史来观察“长17世纪”的东亚海域的特征与演变,呈现东亚海域作为一个独立历史空间的合理性。
The successful firing of Japanese Imari porcelain in early 17th century is the result of changes in the situation of Maritime East Asia,from its birth to the iterations of raw materials,technology,and style,from being in great demand in Asian and European market to withdrawing from the international market.On the basis of previous research,this paper examines the close correlation between Imari porcelain and Maritime East Asia:on the one hand,from the perspective of ceramic history,setting the history of Imari porcelain in the context of Maritime East Asia and global networks;on the other hand,Imari porcelain is used as a perspective to observe the history of Maritime East Asia,as historical materials and material evidence of the changes of the East Asian seas,and through the history of Imari porcelain,the characteristics and evolution of Maritime East Asia in the long-17th century are observed,and the rationality of Maritime East Asia as an independent historical space is presented.
出处
《海洋史研究》
2024年第1期200-223,共24页
Studies of Maritime History
基金
国家社科基金重大项目“西方与近代中国沿海的图绘及地缘政治、贸易交流丛考”(项目号:20&ZD233)子课题
2019年度上海市教育委员会科研创新计划冷门绝学项目“17—18世纪有关中国的葡萄牙文手稿文献的系统翻译与研究”(项目号:2019-01-07-00-07-E00013)阶段性成果
关键词
伊万里瓷器
东亚海域
物质文化
战争
Imari Porcelain
Maritime East Asia
Material Culture
Wars
