摘要
本文试图将电视置于人和媒介相互生成的背景下进行阐释。电视作为一个现代技术事件,其实是西方社会空间化诉求的产物。空间的祛魅导致了"上帝之死"和时间的终结,这使得理性赖以维系的意义根源丧失,技术时代降临。在空间化和寻求新上帝的运动中,西方人发明了电视,一方面电视顺应并体现了空间化的发展逻辑,另一方面又将空间化思维变成无处不在的生活,通过制造空间和形象,深刻地改变这个世界,造就了后现代社会的文化景观。电视因而成为一个展示与生成后现代社会的中心媒介。
This paper attempts to interpret TV in the context of mutual generation of people and media.As a modern technological event,television is actually the product of the spatial appeal of Western society.The disenchantment of space leads to the"death of God"and the end of time,which makes the sense root of reason lose and the technology era comes.In the movement of spatialization and the search for a new God,Westerners invented television.On the one hand,television conforms to and embodies the development logic of spatialization.On the other hand,it turns spatial thinking into ubiquitous life.By creating space and image,it profoundly changes the world and creates the cultural landscape of post-modern society.Therefore,TV has become a central medium to show and generate post-modern society.
出处
《文化研究》
2020年第4期275-287,共13页
Cultural Studies
关键词
电视
后现代社会
技术
时间
空间
TV
post modern society
technology
time
space
