摘要
"痴心女子负心汉"类题材多见于宋元南戏和明清传奇中,然在元杂剧中却多见"痴心汉子负心女"。元杂剧中由女子主导的婚变据情节大致可分三类:娶妓败家;妻妾矛盾;通奸杀人。这类作品中的女性,一反古典女性惯有的悲情忠贞之态,而以恶毒泼辣的形象示人,她们的集中出现与特定的时代精神、氛围密切相关。该类剧目敢于直视隐秘的人性,通过对三类婚变情节模式的分析,既可见人性在生存环境逼仄下的扭曲之状,也可窥艺术作品与伦理文化结构间的适配与糅合关系。
“Infatuated women and heartless men”is a common theme in Nanxi of Song and Yuan Dynasties and Chuanqi of Ming and Qing Dynasties,while in Zaju of Yuan Dynasty,“infatuated men and heartless women”is more frequently seen.The plots of marital crisis initiated by women generally fall into three categories in Zaju:declination of family fortune as a result of marrying a prostitute,conflicts between one’s wife and concubine(s),and adultery and murder.Contrary to the traditional image of grievance and fidelity,the women in such works are cruel and rude.The popularity of such women was closely related to the special social atmosphere of the time.This kind of traditional Chinese Xiqu is bold enough to look into the secret part of human nature.Through the analysis of the three types of marital crisis plot,the distortion of human nature under a narrow living space is demonstrated,so are the adaptation and blending between art works and the ethical and cultural structure.
出处
《戏剧艺术》
CSSCI
北大核心
2021年第4期88-97,共10页
Theatre Arts
关键词
元杂剧
婚变
女性形象
文化心态
Zaju of Yuan Dynasty
marital crisis
female images
cultural mentality
