摘要
从定义和形式上看,慢直播是介于电视直播和网络直播之间的融合形态;从实践和效用上看,慢直播相比于快直播要实现的是更高层次的情感需求,即不仅要传达一定的事实,更要建立互动沟通渠道、引发情感共鸣、强化社会共识。慢直播以其独特的叙事语法为公众提供了更为多元的视角、更加广阔的话语空间,并由此形成一种"慢直播"审美文化。以"慢直播"为代表的"慢文化"凭借真实、创新、人性的特色对抗着视听新闻的速朽,也可算是传统视听模式的一场"自救"运动。
In terms of definition and form, slow live broadcast is afusion form between TV live broadcast and network live broadcast.In terms of practice and utility, compared with fast live broadcast, slow live broadcast needs to achieve a higher level of emotional needs, that is, not only to convey certain facts, but also to establish interactive communication channels, trigger emotional resonance and strengthen social consensus.With its unique narrative grammar, slow live broadcast provides the public with more diverse perspective and broader discourse space, and thus forms a "slow broadcast"aesthetic culture."Slow culture", represented by "slow live broadcast", is fighting against the fast decay of audio-visual news with the characteristics of reality, innovation and humanity.It can also be called a "self rescue"movement of traditional audiovisual mode.
作者
张丽
刘念
Zhang Li;Liu Nian
出处
《中国新闻传播研究》
2020年第4期-,共10页
China Journalism and Communication Journal
基金
2018年度国家广播电视总局部级社科研究项目“融媒体下的新闻视听语言理论及应用”(课题编号为GD1806)的阶段性研究成果
关键词
慢直播
叙事特征
自我阐释
期待视野
镜像理论
slow live broadcast
narrative features
self interpretation
horizon of expectation
Mirror Theory
