摘要
私人话语在公共空间的传播,从报纸到电视再到互联网,传播面越来越广,人们似乎不再注重自身呈现的媒介形象,暴露的隐私尺度以及人性的阴暗面也越来越大,这与戈夫曼的印象管理理论产生了矛盾。仅从当事人个人的勇气和节目的经济利益驱动的角度不足以说明原因,本文基于传播隐私管理理论,从媒介文化、节目范型和国家规制层面予以解释。首先,媒介化社会中人们习惯通过媒介认知社会,利用媒介解决问题。其次,调解或娱乐的节目范型将充满情感冲突的过程导向皆大欢喜或者大团圆的结局,将矛盾引发的阴暗面消融在调解的严肃性或者娱乐的非认真状态中。再次,国家规制在给节目提供发展助力的同时,也对隐私阴暗面的传播进行了限制。
The spread of private discourse in public space,from newspapers to TV and the Internet,has become more and more widespread.people seem to pay less attention to the media images that they present,and the scale of privacy and the dark side of human nature become larger and larger,which is in conflict with the Erving Goffman’s“impression management”theory.The courage of the individual concerned and the economic interest of the program are not enough to explain.Based on the theory of Communication Privacy Management,this phenomenon can be explained from the aspects of Media Culture,program model and national regulation.First of all,people in the media-based society are accustomed to cognitive society through the media,using the media to solve problems.Secondly,the mediation or entertainment program paradigm directs the process full of emotional conflicts to a happy ending,and dissolves the dark side caused by contradictions into the seriousness of mediation or the non-serious state of entertainment.Thirdly,state regulations not only help the development of the program,but also limit the spread of the dark side of privacy.
作者
黄晓军
周学江
Huang Xiaojun;Zhou Xuejiang
出处
《中国新闻传播研究》
2021年第5期222-234,共13页
China Journalism and Communication Journal
关键词
情感冲突类节目
传播隐私管理
媒介形象
运行机制
the emotional conflict program
communication privacy management
media image
operating mechanism
