摘要
综艺类节目是当下视听媒介的重要类型,也是重要的大众文化现象。综艺类节目的市场与文化独特性已经被一系列文献所关注,然而,在具体的商业机制和美学机制之外,综艺类节目与观众达成共鸣所依托的文化机制还较少得到讨论。本文以媒体奇观和媒介景观为批评性的概念工具,以具体案例的分析为基础,探讨综艺类节目所营造出的明星、游戏与表演这三个层面的媒介景观。正是媒介景观让综艺类节目具备了独特的意义生产机制,展现出综艺类节目在当代中国社会的文化影响。
Variety show is considered to be a significant style of audio-visual media and an important phenomenon of mass culture.Its market and cultural uniqueness have been discussed by a large body of research.However,besides commercial mechanism and aesthetic mechanism,cultural mechanism that resonates audience is merely discussed.Using media spectacle(defined by Douglas Kellner)and spectacle(defined by Guy Debord)as conceptual tools to criticize and based on case study,this paper focuses on three layers of the.construction of spectacle:star,play and performance.The spectacle endows variety shows the mechanism to produce meaning,showing variety shows’cultural influence in Chinese society.
作者
梁君健
古一扬
Liang Junjian;Gu Yiyang
出处
《中国新闻传播研究》
2022年第6期32-44,共13页
China Journalism and Communication Journal
关键词
综艺类节目
媒介景观
明星
游戏
表演
variety shows
media spectacle
star
play
performance
