摘要
藏戏是开在雪域高原上的一朵民族之花,它有着不同的剧种和流派,构成了一个庞大的戏剧体系。近代以来,藏戏的研究方兴未艾,有很多角度和领域等待我们去探索。藏戏音乐是藏戏研究中的重要组成部分,因此对当前藏戏音乐研究的理论进展及相关文献梳理必不可少。文章旨在对现有的藏戏音乐相关文献和书目进行力所能及的整理,以求对目前藏戏音乐的研究现状有一个宏观了解,并期望能对研究藏戏音乐领域的学者有所参考。
Tibetan opera is a national flower blooming on the land of snow.It has different kinds and schools of drama,which constitute a huge drama system.Since modern times,the study of Tibetan opera has been in the ascendant,with many angles and fields waiting for us to explore.Tibetan opera music is an important part of Tibetan opera research,so it is essential to review the theoretical progress and relevant literature of Tibetan opera music research.This paper aims to sort out the existing literature and bibliography related to Tibetan opera music,so as to have a macro understanding of the current research status of Tibetan opera music,and hope to provide some reference for scholars in the field of Tibetan opera music.
出处
《西藏艺术研究》
2021年第4期72-79,共8页
Tibetan Art Studies
关键词
藏戏音乐
文献综述
Tibetan opera music
Literature review
