摘要
佛像服饰是佛陀形象表现中重要的组成部分。佛教传入中国后,印度早期佛像服装的两种基本样式"通肩式"和"右袒式",逐渐受到中国古代服饰文化的冲击而发生改变。北魏冠服制度建立的进程中,不断引入儒家礼制,同时由于佛教思想的凸显作用在云冈佛像服饰中表现出来。本文在探析佛像"法服"仪轨的基础上,以云冈早期佛像为例,在分析佛像服饰特征及形成的基础上同时探讨其背后的仪轨内涵。
The costume of Buddha is an important part of Buddha’s image.After Buddhism was introduced into China,the two basic styles of costume of early Indian Buddha,"Youtan style"and"Tongjian style",were gradually changed by the impact of ancient Chinese costume culture.In the course of the establishment of the costume system in the Northern Wei Dynasty,the Confucian ritual system was constantly introduced.At the same time,due to the prominent role of Buddhism,it was reflected in the Buddhist costume in Yungang.Based on the analysis of the ritual of"dharma dress"of Buddha statues,this paper takes the early Buddha statues in Yungang as an example,and discusses the connotation behind the ritual based on the analysis of the costume characteristics and formation of Buddha statues.
作者
刘芳
LIU Fang(Shanxi Datong University,Academy of Yungang Cultural Ecology,Datong Shanxi,037009)
出处
《云冈研究》
2021年第1期46-55,共10页
Yungang Research
关键词
云冈石窟
佛像服饰
特征及内涵
Yungang Grottoes
the costume of Buddha
characteristics and connotations
