摘要
在现代社会,技术变革对于传统工艺的冲击已经不可避免。从手工制作到机器生产的这一转变过程中,往往会引起很多质疑,呈现出一种非此即彼的二元对立状态。深入到山东省临沂市郯城县挂门钱生产消费的实际状态及社会背景的变迁过程之中我们发现,手工挂门钱和机器挂门钱在相互竞争中呈现一种相得益彰的状态,手工挂门钱作为传统文化得到保护,机器挂门钱发展出符合现代消费理念的"新式风格"。事实上,我们需要超越"二元对立"的悲观态度,从造物的身体技术、技艺传承的动力、生产与消费的互动等多重角度来理解,而非单一地从"机器与手工对立"的观点来看待技术变革这个复杂的过程。
In modern society, the impact of technological change on traditional crafts has been inevitable. The transition from handcrafting to machine production often raises many doubts, showing a binary opposition that the two sides are against one another. When exploring the actual state of the production and consumption of hanging door papercutting(Gua Men Qian) in Tancheng, Linyi, Shandong, we discovered that the handmade papercutting and the machine made one show reciprocally reinforced in competition, while the handmade is protected as a traditional cultural craft, the machine made is developing a new style that matches the concept of modern consumption. In fact, we need to transcend the pessimistic attitude of binary opposition and understand it from multiple perspectives, such as physical technique in creation, the power of craftsmanship inheritance, and the interaction between production and consumption, rather than looking at the complex process of technological change solely from the perspective of opposition between the machine made and the handmade.
出处
《艺术与民俗》
2019年第2期38-44,共7页
Journal of Arts and Folklore
关键词
挂门钱
技术变革
消费
新式风格
Hanging Door Papercutting(Gua Men Qian)
Technological Change
Consumption
New Style
