摘要
通景屏由屏风发展而来,是明末清初出现的一种兼具观赏性和实用性的绘画形式。晚明社会动荡,审美变化明显,在人物故事图通景屏上常可挖掘其深层次的社会背景,从中管窥当时的物质文化特点和审美意识的嬗变。文章以烟台市博物馆藏晚明通景屏《清娱图》为例,分析其表现的空间意识,探究其呈现的晚明审美特点。
A panoramic screen is a type of screen that appeared in late Ming to early Qing dynasty period.As a painted screen,a panoramic screen is a painting that has both ornamental and practical functions.The late Ming period experienced social instability and art aesthetics also changed significantly.From panoramic screens with figure paintings,we can often study the social background and peek into the development of material culture and aesthetic ideologies.Focusing on the Qing Yu Tu,a panoramic screen from Yantai municipal museum,this article analyzes its spatial representation and furthermore,explores the artistic aesthetics that emerged during the late Ming.
出处
《艺术与民俗》
2021年第2期82-88,共7页
Journal of Arts and Folklore
关键词
通景屏
苏州片
空间意识
审美意识
Panoramic Screen
Suzhou Fakes
Space Consciousness
Aesthetics
